Faith Hill

Faith Hill, a proud Mississippi Girl from a tiny town called Star, has become a beloved global superstar by pouring herself into songs ever since receiving her first musical education in various churches in her home state. Now with her much anticipated sixth album, Fireflies, set for release by Warner Bros. on August 2nd, Hill has put more of her heart and soul into her music than ever before.

“Of course I feel close to all of the albums that I’ve recorded, but this one just feels as honest and as real as it gets. It speaks about a lot of things that are personal to all of us.” - Faith Hill

Faith's Track By Track Diary:

SUNSHINE AND SUMMERTIME
(JOHN RICH/RODNEY CLAWSON/KYLIE SACKLEY)
It’s about a comfortable feeling. The first time that I heard that song I really craved summer. I could already smell the coconut suntan lotion.

MISSISSIPPI GIRL
(JOHN RICH/ADAM SHOENFIELD)
John Rich had this idea about who I was and he’d written this song. But he realized that he didn’t have a clue about how normal I would be and about how connected I stayed to my upbringing. To this day it remains a big part of who I am. And I guess John felt that it was important for people to know that about me. There are a lot of people who do know it, but in John’s words, “There are a lot of people who don’t.”

DEARLY BELOVED
(GEORGIA MIDDLEMAN/FRED WILHELM)
We always need laughter in our lives and I love a good laugh. I thought this song was hilarious. Will people read into it and what it says about marriage? Sure, and that’s what makes it even more fun!

I AIN’T GONNA TAKE IT ANYMORE
(KEVIN BRANDT/BOBBY TERRY)
I always love a great country song with a strong woman. It reminds me of Tammy Wynette and Loretta Lynn and the way that they would stand up and say “You’re not gonna roll all over me, big guy.”

STEALING KISSES
(LORI MCKENNA)
That song slays me. It is just so real – like a snapshot out of someone’s life. I feel as though I’m standing in that kitchen with her. It’s such a deep and powerful song. I haven’t met Lori yet, but through her songs, I feel like I already know her.

FIREFLIES
(LORI MCKENNA)
It’s a song about dreaming. Sometimes in this life you can’t explain why things are happening and you can’t control the way things are, but you can certainly dream about things. I know I did.

LIKE WE NEVER LOVED AT ALL
(JOHN RICH/SCOTT SAX/VICKIE MCGEHEE)
John Rich brought me a compilation tape of six songs from his catalogue. Tim had heard them and told me that if I didn’t cut the one song, `Like We Never Loved At All,’ that he would. Luckily John had pitched it to me first.

I WANT YOU
(RIVERS RUTHERFORD/BOBBY TOMBERLIN)
Dann Huff and I were in the studio and Rivers Rutherford was next door working. So Dann popped his head in and asked him if he had any new songs that he wanted to play for us. He played “I Want You” for us and I just died. I say now what I said then – it’s an incredible song.

THE LUCKY ONE
(BRETT WARREN/BRAD WARREN/JAY JOYCE)
Those Warren boys and Jay Joyce wrote this one and to me it’s just a great, fun summer song. I love the verses talking about how things aren’t easy, but I’ve got you and that’s all I need. I love that sentiment. It’s a great attitude.

IF YOU ASK
(LORI MCKENNA)
That’s the first one of Lori McKenna’s songs that I heard. I said, `I’ve never heard writing like this.’ It was like a dagger in my heart -- the pain and anguish and the power of her storytelling. That song hit me right in my soul. It was so honest. It’s a peek into a very serious subject matter and I’d never heard the subject of living with an alcoholic written about in that way.

WE’VE GOT NOTHING BUT LOVE TO PROVE
(DARRELL SCOTT)
When that song came to me I had just been watching the news and saw a horrible story about a child put in foster care, then lost and then found after he’d been abused. I remember thinking, “Is that okay in America, because I’m not okay with this. There are so many horrible stories out there. When I heard the song it touched me. I thought about the children growing up in this world with so much violence. I think as an American citizen and a supporter of our troops, it’s okay to ask if we’re okay with everything going on in our world. To me this is a song about asking questions so that we can work together to make our world a better place.

YOU STAY WITH ME
(JOHN KENNEDY/ANDREA STOLPE)
It really all starts with the song. A song like that with so much soul makes it easy to sing. I was brought up in a Baptist Church in Mississippi – that’s where I cut my teeth as a teenager. I spent a lot of time singing at churches. I feel like the more that I record, the deeper down I go into my roots. That experience and exposure brings me back to my childhood and reaches deep into my soul.

WISH FOR YOU
(CRAIG WISEMAN/DARRELL BROWN)
It’s a classic lullaby - a beautiful, simple sentiment and message of love.

BONUS TRACK: PARIS
(BLAIR DALY/GORDIE SAMPSON/TROY VERGES)
When I first heard this song, I didn’t quite know what it meant and I’m not sure if I know exactly what it means even now. But I was haunted by the melody and some of the images -- like tearing up the Mona Lisa and laying the pieces at your feet. I couldn’t get the song out of my head and I knew I had to put it on the album.

One of the biggest female country stars of the '90s and 2000s, Faith Hill also took advantage of the inroads Shania Twain made into pop territory, becoming an enormous crossover success by the end of the millennium. Of course, Hill's movie star good looks certainly helped her cause, and her much-celebrated marriage to fellow country star Tim McGraw gave her career an extra kick of glamour and mystique. Hill may not have appealed to country purists, but she had the star power of a diva even before her pop success.

Faith Hill was born Audrey Faith Perry on September 21, 1967, in Jackson, MS, and grew up in the nearby small town of Star. She was singing for her family as young as age three and first performed publicly at a 4-H luncheon when she was seven. Hill spent much of her childhood singing wherever the opportunity arose, influenced primarily by Reba McEntire, and at age 17 formed a band that played local rodeos. At 19, she quit college and moved to Nashville to make it as a singer, first finding work selling T-shirts. During this time, she was married briefly to music executive Dan Hill. Eventually she was hired as a secretary at a music publishing firm, where she was discovered by accident while singing to herself one day. Encouraged by company head Gary Morris, Hill became a demo singer for the firm and also performed professionally as a harmony vocalist behind singer/songwriter/producer Gary Burr, who produced Hill's own demo tape. A Warner Brothers executive caught Burr and Hill's act at a Nashville club, and wound up signing Hill to a solo deal.

Hill released her debut album, Take Me as I Am, in late 1993, with producer Scott Hendricks at the helm. Success wasn't long in coming; the lead single "Wild One" raced up the country charts en route to a four-week run at number one early the next year, making her the first female country singer in 30 years to top the charts for that long with her debut single. The follow-up, a countrified cover of Janis Joplin's "Piece of My Heart," also hit number one, as did the album's title track, and Take Me as I Am wound up selling over three million copies. Hill was set to build on her success right away, but had to undergo surgery on her vocal cords, which delayed the recording of her next album. Nevertheless, the wait wasn't unreasonable, and It Matters to Me appeared in the summer of 1995. The title track became her fourth number one country single, and it was accompanied by a string of Top Ten hits that helped push initial sales of the album past the three million mark. Hill was by now a firmly established country hitmaker, and she continued her active touring schedule by teaming up with Tim McGraw in 1996 for the Spontaneous Combustion Tour. It was an apt name, as Hill married McGraw that October. The couple's first child, daughter Gracie, was born in May of 1997, and not long after, their duet "It's Your Love" -- recorded for McGraw's Everywhere album -- was burning up the country charts, staying at number one for six weeks.

Hill returned in the spring of 1998 with Faith, which provided the first signs that she was interested in crossing over to pop audiences, even if the still-countrified music often straddled the fence instead of making her ambitions explicit. The single "This Kiss" proved the savvy of her approach; not only did it top the country charts for three weeks, but it also became her first pop hit, climbing to number seven. By the time "This Kiss" had run its course on the charts, Hill had given birth to her second daughter with McGraw, Maggie. If Hill had been a star in the country world, she was now rapidly becoming a superstar, known not just for her music but also her pure celebrity; she also signed an endorsement deal with Cover Girl makeup. Her next two singles, "Just to Hear You Say That You Love Me" (another duet with McGraw) and "Let Me Let Go," hit number one country, though they didn't duplicate the pop success of "This Kiss."

Faith, released in 1998, became Hill's biggest-selling album yet, eventually moving over six million copies and reaching the Top Ten on the LP charts; plus, it became crystal clear that Hill held major crossover appeal. Accordingly, she re-entered the studio immediately after her supporting tour and cut Breathe, a full-fledged bid for pop and adult contemporary success. Breathe entered the charts at number one upon its release in late 1999, and its title track became Hill's biggest hit yet; it spent six weeks on top of the country charts and was an even bigger hit on the adult contemporary charts. While it only climbed to number two pop, the single had such staying power that it wound up the biggest hit of the year 2000. The follow-ups were pretty successful in their own right: "The Way You Love Me" and "There You'll Be" both hit the pop Top Ten, with the former topping the country charts and the latter hitting number one AC. Hill also scored a Top Ten country hit with "Let's Make Love," a third duet with McGraw, and the two teamed up for another tour in 2000. Breathe was a bona fide blockbuster, selling over seven million copies in the U.S. and earning her a slew of award nominations. Hill spent much of 2001 taking a break and spending time with Audrey, her third daughter with McGraw.

In 2002, Hill returned to the spotlight with her fifth studio recording, Cry, a three-million seller whose title track netted her the Best Female Vocal Performance Grammy for 2003. Hill took nearly three years to return to recording, but when she released Fireflies in August 2005 it was hailed as one of her finest works. The lead single "Mississippi Girl" (written by John Rich of the hit country duo Big & Rich) hit number one on the country singles chart, and the album reached number one on the album charts. Her Soul2Soul II tour of 2006, which she co-headlined with McGraw, became the highest-grossing country tour of all time. ~ Steve Huey, All Music Guide