George Clooney's 2005 film Good Night, and Good Luck is set in New York City during the '50s, and the director decided the right music to go with the black-and-white cinematography was jazz. More specifically, current recordings from vocalist Dianne Reeves and a small combo featuring some silky smooth tenor and alto sax from Matt Catingub, Peter Martin on piano, and Jeff Hamilton on drums with Robert Hurst and Christoph Luty splitting bass duties. The tunes are mostly classic ballads and smoky standards (all picked by Clooney) that Reeves and the group handle with a satisfyingly light touch. She gives the songs plenty of emotion but never over-sings, lending the recording a very intimate feel. Also helping with that is the sound of the album as it's free from any modern studio trickery or gloss; in fact, much of the music on the soundtrack was recorded live during the shooting of the movie. Had Clooney chosen songs actually recorded in the '50s, the soundtrack may have been more authentic, but Reeves and her group do a commendable job of re-creating the simple and sentimental sound of the era's mainstream vocal jazz. ~ Tim Sendra, All Music Guide
Good Night, And Good Luck
09/27/2005 | Concord Records
All Music Guide Review
Track Listing
Similar Albums
Credits
- Ron McMaster
- Mastering
- Charles Paakkari
- Assistant Engineer, Mixing
- Dianne Reeves
- Vocals
- Christoph Luty
- Bass
- Sandy DeCrescent
- Contractor
- Abbey Anna
- Art Direction
- George Clooney
- Executive Producer
- Melinda Sue Gordon
- Photography
- Carlos de la Garza
- Mixing Assistant
- Peter Martin
- Piano, Arranger
- Andrew Pham
- Package Design
- Peter Rotter
- Contractor
- Grant Heslov
- Executive Producer
- Edward Tise
- Engineer
- Robert Hurst
- Bass
- Alex Acuña
- Percussion
- Alan Estes
- Percussion
- Leslie Ann Jones
- Engineer, Mixing
- Matt Catingub
- Arranger, Sax (Alto), Sax (Tenor)
- Jeff Hamilton
- Drums
Notes
Winner - 48th Grammy® Awards (Feb 8, 2006)
- Best Jazz Vocal Album















