One Cell In the Sea
07/17/2007 | Virgin Records Us
Songs from One Cell In the Sea
Videos from One Cell In the Sea
All Music Guide Review
After a relative dearth of female singer/songwriters (this was, of course, following the outpouring of them during the whole late-'90s Lilith Fair craze), slowly, slowly, women started making their way back into the limelight. Artists like Michelle Branch and KT Tunstall, even Avril Lavigne and Ashlee Simpson found success with their clean, sentimental poppy songs, and young Alison Sudol follows in this direction, even if she claims to have been influenced more by Radiohead and Sigur Rós more than Sarah McLachlan or Paula Cole. The truth is, Sudol, who chooses to go by the name A Fine Frenzy here, is much closer to the adult alternative sounds of radio-friendly rock than anything even bordering on experimental. A self-taught pianist, she trudges through the 14 songs on her debut, One Cell in the Sea with a kind of laboriousness that distracts from her sweet soprano and tales of love and friendship. Sudol's a decent lyricist -- her main weakness is that she tries much too hard to be profound or interesting -- but her heavily affected piano, the guitars and strings, force a kind of poignancy into the songs that ruins any kind of actual power they might have (the last track on the record, "Borrowed Time," which employs an acoustic guitar instead, displays Sudol's voice and songwriting abilities infinitely better). But worst of all, and probably what makes all this stand out so much, is that the songs on One Cell in the Sea are boring, with melodies that go nowhere, the choruses and verses blend into one another, the whole thing is an hour-long exercise in arpeggios and natural imagery ("I know that we're different/But we were one cell in the sea in the beginning.../We're not that different after all," Sudol coos in "The Minnow and the Trout"), hanging on for too long to Coldplay-esque rises and falls that do nothing, never capture the emotion like Chris Martin can. She certainly tries hard, and nothing ever comes out awfully, but she never takes off, never does anything memorable, and so despite her attempts, A Fine Frenzy ends up being unremarkably dull. ~ Marisa Brown, All Music Guide
Track Listing
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Credits
- Stephen Marcussen
- Mastering
- Brian Scheuble
- Engineer
- Lyle Workman
- Guitar
- Joey Waronker
- Percussion, Drums
- Stewart Whitmore
- Digital Editing
- Suzie Katayama
- String Contractor
- William Paden Hensley
- Digital Editing, Mixing Assistant
- Mick Bolger
- Accordion, Horn, Mellophonium
- Sean Mosher-Smith
- ?, Creative Director
- Michael Valerio
- Engineer, Double Bass, String Arrangements
- Michael Chaves
- Guitar
- Jimmy Paxson
- Percussion, Drums
- Stephen LeBlanc
- Piano, Keyboards, Vibraphone
- Lukas Burton
- Keyboards, Programming, Producer
- Jeff Blue
- A&R
- David Levita
- Guitar (Acoustic), Balance Engineer
- Sean Woolstenhulme
- Guitar
- Chris Steffen
- Engineer
- Chris Murphy
- Violin (Electric)
- Kevin McKeever
- Piano, Keyboards
- Paul Livingstone
- Sitar
- David Campbell
- String Arrangements
- Peter Bradley Adams
- Piano
- Darren Gilmore
- Management
- Alison Sudol
- Piano, Keyboards, Vocals, Creative Director, Vocals (Background)
- Hal Y. Burton
- Keyboards, Programming, Mixing, Engineer, Vocals (Background)
- Hal Craquin
- Producer
- Melinda Dahl
- Photography
- Jessica St.Peter
- Animal Sounds
- Michael Brauer
- Mixing
- Larry Corbett
- Cello, Soloist
- Hal Cragin
- Bass, Guitar, Producer
- Joel Derouin
- Concert Master
- Chris Fuhrman
- Mixing
- Danny Kalb
- Keyboards, Mixing, Programming
















