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    Street Survivors (Deluxe Edition)

    03/04/2008 | Geffen Records 

    Videos from Street Survivors (Deluxe Edition)

    All Music Guide Review

    Sometimes, expanded Deluxe Editions don't seem to have much of a purpose outside of marketing: the second disc will contain a clearinghouse of B-sides and remixes or a live show, not adding much to the story of the original album. That's not the case with the Deluxe Edition of Lynyrd Skynyrd's final album, Street Survivors -- it's a Deluxe Edition that fills out the final chapter of the original band's career by presenting the complete original version of the album, recorded with legendary producer Tom Dowd at Criteria Studios but scrapped when the group's live sound engineer Kevin Elson argued that these versions sounded lifeless. The album was subsequently rejiggered with a mix of re-recording, additional production, and remixing, plus the addition of a couple of older songs to the record ("One More Time" dates from 1971 sessions at Muscle Shoals, while "I Know a Little" is a song guitarist Steve Gaines had before he joined Skynyrd in 1976), all of which helped turn the album into arguably the band's best. The instincts of Elson -- who was supported by Gaines, as revealed in the excellent liner notes by Ron O'Brien on this set -- turn out to be correct, as the Criteria version of Street Survivors is a bit tight and stiff, sounding more like a typical professional arena rock production from 1977 than the finished set, which makes it interesting from an archeological perspective at the very least. Skynyrd do sound well-honed, hitting all the notes precisely, but they lack the full-blown, red-blooded roar that made the original so invigorating. All of this explains why the album was tweaked considerably before its release, and a Deluxe Edition like this serves the historical record well by preserving this -- even if it merely confirms conventional wisdom, it's good to hear it first-hand, plus there is only a limited amount of music recorded by the original band, so it's hard not to value whatever was left behind. And this lineup of Skynyrd was certainly a great band, something that is apparent even on these slightly stilted originals, especially because they're not all slightly stilted: there's an extended guitar workout on the original version of "That Smell," a cheerful blues shuffle called "Georgia Peaches" that didn't make the final cut (it did appear on the previous expanded 2001 reissue), and "Jacksonville Kid," Ronnie Van Zant's brilliant rewrite of Merle Haggard's "Honky Tonk Night Time Man" that is the last song he wrote. There is another set of final recordings here, too: five cuts from a live California show the band gave in August 1977, two months before the release of Street Survivors and before the plane crash that claimed the lives of Ronnie Van Zant and Steve Gaines. These are the last known recordings of the band, and while the audio is a little rough, the group sounds ferocious. Given the strength of these live cuts, it's once again hard not to wish that the band had not been struck down by tragedy, but this Deluxe Edition honors Lynyrd Skynyrd's legacy by offering every aspect of their last year as a band, from the raw live shows to the overly polished original album to the glorious final version of Street Survivors. ~ Stephen Thomas Erlewine, All Music Guide

    User Review

    • Red Tunic Troll

      posted on Tue, 04 Mar 2008 22:44:14

      Skynyrd's swan-song with terrific bonuses

      The fifth and final studio album of Lynyrd Skynyrd's original incarnation has always lived in the shadow of the 1977 plane crash that followed just three days after the LP's release. The band's fans couldn't help but refract the album through the prism of vocalist/songwriter Ronnie Van Zant's death, adding layers of meaning that weren't originally written into these songs. Thirty-one years later, the band's demise still hovers over this swan-song, but at the same time, the album's vitality and the band's then-bright future still shines through. Geffen's two-disc deluxe reissue augments the album's original eight tracks with a wealth of bonuses, including previously unreleased original versions of songs that were completely re-recorded for the commercial release, and five live tracks from the band's last-known concert recording, taped just two months before the plane crash.

      Having become a top concert draw throughout the mid-70s, the band found a surprising amount of time to record this album. They produced a finished version with Tom Dowd in Florida, ditched the tapes and relocated to the Atlanta studio where they'd waxed "Free Bird." They re-recorded the bulk of the album from scratch, dropped a few songs and added a few others to create the final release. Though most of the titles remained the same between the two sessions, the energy and sound are quite different. The band is more pumped up on their self-produced recordings, and where Dowd stripped things down, the band added layers, such as the horn chart on "What's Your Name." Their intuition was right, and though some fans didn't appreciate Skynyrd evolving away from their rougher roots, Van Zant's songs easily took the extra polish.

      Van Zant's lyrics continued to mine the autobiographical clarity and detail he'd shown on earlier albums, and the addition of guitarist Steve Gaines added country flavor to the original "I Know a Little" and a cover of Merle Haggard's "Honky Tonk Night Time Man." Still, the band could always play it gritty, as the Collins/Van Zant "That Smell" so aptly showed. The earlier version of the song, taken a hair slower and with Van Zant's vocal more isolated and dry, is even more harrowing (a second early version, included here, extends the song to 7:30 with a lengthy guitar jam). The overall hallmark of "Street Survivors" is the confident sound of a band at the top of their game.

      Fans will relish the opportunity to hear the earlier unreleased version of the album, including a pair of songs ("Georgia Peaches" and "Sweet Little Missy") that were dropped from the final track list. An additional highlight presented here is Van Zant's rewrite of "Honky Tonk Night Time Man," as the autobiographical "Jacksonville Kid." The five live tracks are good performances of historical interest, but only limited (and mono) audio quality. This is a welcome upgrade to the original CD issue. 4-1/2 stars, if allowed fractional ratings. [©2008 redtunictroll at hotmail dot com]

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