One of a series of ultra-loose concept albums Ray Charles cut in the '60s, this one is dedicated entirely to songs with titles or lyrical references to crying and tears. It's an excuse for Charles to choose his usual varied menu of upbeat jumpers, slow countrified weepers, and proudly saccharine pop standards. The production, as one might fear, also tends to the lachrymose side on the slow tunes, with the thick strings and backup vocals straight out of TV variety shows. One is almost tempted to think that Charles was toying with audience expectations by mixing unabashedly sentimental slow tunes with the far more bluesy, satisfying, and upbeat numbers, such as "Don't Cry, Baby" and "Baby, Don't You Cry," as well as his surprisingly brassy, punchy treatment of "Cry Me a River." These outings have always played much better with critics than the gloppy pop tunes, and for good reason -- they are much better. The Rhino CD reissue adds seven bonus tracks from throughout his early career (1956-1971) that also tapped into the "crying" motif. These threaten to steal the show from the Sweet & Sour Tears album it's supposedly embellishing, including the Bacharach/David penned 1964 single "I Wake Up Crying," the smoldering 1966 album track "No Use Crying," and the 1956 R&B chart-topper "Drown in My Own Tears," next to which much of the rest of the program sounds positively hokey. ~ Richie Unterberger, All Music Guide
Sweet & Sour Tears
03/01/1964
All Music Guide Review
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Credits
- Phil Macy
- Engineer
- Marty Paich
- Arranger, Conductor
- Curt Miller
- Trumpet
- David "Fathead" Newman
- Sax (Tenor)
- Bill Putnam
- Engineer
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- Rick Ward
- Liner Notes
- Paul West
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- Jerry Wexler
- Producer
- Edgar Willis
- Bass
- Joshua Willis
- Trumpet
- Terry Howard
- Balance Engineer, Original Master Transfers, Re-Calibration
- Harold "Geezil" Minerve
- Sax (Alto)
- Jack Halloran Choir
- Vocals (Background)
- Rachel Gutek
- Reissue Design
- Patrick Milligan
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- Quincy Newell
- Project Assistant
- Maria Villar
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- Steven Chean
- Editorial Supervision
- Vanessa Atkins
- Editorial Supervision
- Julee Stover
- Editorial Supervision
- David Gorman
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- Howard Moorehead
- ?, Photography
- Joe Lebow
- ?, Cover Design
- Michael Johnson
- Reissue Coordination
- Danny Turner
- Sax (Alto)
- Floyd Jones
- Trumpet
- Don Wilkerson
- Sax (Tenor)
- The Cookies
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- Joe Adams
- Producer
- James Austin
- Reissue Coordination
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- Trumpet
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- Trombone
- Leroy Cooper
- Sax (Baritone)
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- Sid Feller
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- Cecil Payne
- Sax (Baritone)
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